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Get Out (2017)
Get Out (2017)
Be it the early sight of a car pulling up alongside an
African-American man, or a photo of an angry dog being held on a tight leash,
the color white spells doom in Jordan Peele's social-commentary horror hit Get Out—albeit ultimately in
unexpected ways. Surrounded by his white girlfriend Rose's (Allison Williams)
Obama-loving family and their friends during a weekend getaway at their rural
estate, Chris (Daniel Kaluuya) finds himself increasingly uncomfortable,
especially after a series of encounters with fellow African-Americans (the
household's staffers, a young boyfriend of a much older white woman) make him
suspect that something is scarily amiss. The story's climactic revelations are
indebted to The Stepford Wives, Invasion of the Body Snatchers, and
Rosemary's Baby, and yet are given
a fresh of-the-moment twist by Peele's razor-sharp script, which cleverly
locates the means by which liberals' pro-black attitudes function as a type of
appropriation-esque intolerance. As impressive as its racial-dynamics critique,
however, is its formal dexterity; from its malevolent pacing to its terrifying
imagery (especially of "The Sunken Place"), Peele's directorial debut
is a first-rate cinematic nightmare.
It's time for a young African American to meet with
his white girlfriend's parents for a weekend in their secluded estate in
the woods, but before long, the friendly and polite ambience will give
way to a nightmare.
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